[He regards the boy that speaks to him for a moment. It's nothing particular to him initially, of course. Dio only wants to be sure he knows who he's speaking to well enough that he'd recognize them if he saw them again even if he hadn't cared to learn their name or anything else about them. But that's what catches his attention because it becomes immediately apparent to Dio that he's not working from a blank slate. There's something vaguely familiar about the boy's face. It doesn't stand out to him — and he gets the impression he's trying not to particularly stand out with how muted his expression is — but there's something in the boy's face that seems like Dio has looked upon it before.]
[His eyes. His eyes are what draws Dio's attention. They remind Dio of... No. These are too calm and quiet. Even when at his most miserable or even his quietest, his eyes were brighter than this. He's never seen this boy before in his life and he appears to be as inconsequential as he's projecting.]
Is that so? I can't say I've held much interest in television or cinema.
un: basileus
[His eyes. His eyes are what draws Dio's attention. They remind Dio of... No. These are too calm and quiet. Even when at his most miserable or even his quietest, his eyes were brighter than this. He's never seen this boy before in his life and he appears to be as inconsequential as he's projecting.]
Is that so? I can't say I've held much interest in television or cinema.